The
Murray,aveteransportsreporter,wasneveronthestaffoftheprogram,buthis
It’sawistfulstory,toldquietlyatameasuredpace,anditsmixofhistoricalandcontemporaryrelevancemakesitawell-chosenframingdevice.Otherstoriesrevisitedweremorefraught,moretragicandmoredangerous.TherewasOliviaRousset’sinterviewwithAbuMann,whospentelevenmonthsbeinghumiliatedandtorturedinAbuGhraib;SophieMcNeill’sencounterwithsurvivingmembersofanAfghanfamilywholostfourchildreninamistakenlytargetednightraidbyAustraliansoldiersinFebruary2009;DavidO’SheacaughtincrossfireduringthewholesalemassacreofciviliansinEastTimorin2006;andNickLazaredesvisitingthecrashscenefollowingthedowningofMH17inAugustthisyear.“Ithinkthehorrorofwhattheywentthrough,evenifjustforasplitsecond,butcertainlythehorrorthattheirfamilieshavetolivethroughforalifetime,justallcametomeinanoverwhelmingmoment,”reflectsLazaredes.
Itmadeforcompellingtelevision.Somestoriesdemandtobeseenagain,andsomesituationscallouttoberevisited,thoughtoselectandreviewsomanyoftheminthespaceofanhourwasclearlyachallenge.It’satestamenttoDatelinethatitsjournalistshavewitnessed,andreported,somanycriticalsituationsinsomanypartsoftheworld.
Thesereportersofferedfascinatingretrospectivecommentaryontheirworkduringtheanniversaryprogram.Butanenormousamountalsogoesonbehindthescenes,asIfoundoutwhenItalkedtoexecutiveproducerPeterCharleyandproductionmanagerLauraGrace.
Withanofficestaffoftwelve,Gracedoesthecomplexliaisonworkinvolvedinpreparingstoriesandcoordinatingtheprogram’steamofcontractedjournalists.Itisherresponsibilitytofloatanyprospectiveassignmentswiththeprogram’ssecurityadvisers,InternationalSOS,whohavebasesallovertheworldfromwhichtheyprovidesecurity,medicalassistanceandevacuationarrangements.“Therehavebeennumerouscriseswherewe’vehadtopullpeopleout,”saysCharley.“Moreoftenit’spreventive.Thingshappen.It’saverydangerousworldoutthere.”
Journalistsindangerzonesarecloselytracked,anditistheproductionmanager’sjobtokeepadetailedlog—ofvehiclestheytravelin,routestheytravel,timesofdepartureandarrival.Areporter’sprogressmaybefollowedinrealtimeonGoogleEarth,too.
Thismeansthatreportersoncontractaremorecloselysupervised
thansomefreelancers,whocanmakespur-of-the-momentdecisionstofollowaleadortakeanopportunity.Journalistswhoventureintosituationsofdisasterandcrisistendtobeadventurersbynatureand,asGracesays,“Wewillsometimesbecontactedbyanindividualintendingtocoverastoryontheirowninitiative…Ifwesayyes,weofferwhatsecuritywecan.”
Thoughsomeofthemorehigh-riskstoriesarefromfreelancereporters,itisnotacaseofproducersfightingshyofthemostdemandingsituations.“We’vebeeninsomeprettyheavyscenarios,”PeterCharleystresses,butthereareresponsibilitiesandliabilitiestobefactoredintotheequation.
Willthenewanti-terrorlegislationaddtothose?“Ithasthepotentialtoimpactonusveryseverely,”hesays,“butit’suntested.Ithinkit’sunlikelythatjournalistswouldbedeniedaccesstowarzones—Imean,that’stheworkwedo—butthelegislationmightproduceascenariowherewewouldbesenttoprisonforreportingonanincidentdeemedtobeofflimits.That’schangedthelandscapeveryradically.”
Reportersexhibitdifferentkindsofdaring,andencounterdifferentkindsofdanger.Notallaremaverickadventurers.Somesituationscallforacutepersonalsensitivityandtheintuitivelocalknowledgethatonlysomeonedeeplyimmersedcanprovide.
OneofthemostmemorablestoriesfeaturedintheanniversaryspecialconcernedrefugeesfromNorthKoreawhohadmadetheirwayacrosstheborderintonortheastChinatoescapethefamine.Theywerehidingintheforest,livingindailyfearofbeingdeportedtofaceexecution.PeterCharleywasshownsomefootagetakenbyJung-EunKim,areporterworkinglocallywhohadbeentakenintotheirconfidence.Overthecourseofayear,shefollowedtheirfortunesastheyfaceduptoafuturethatseemedtoofferonlyalternativeformsoftragedy.
Inonecase,theparentsofatoddlermadethedecisiontogivehimuptoaChineseorphanageastheonlywayofensuringhehadsomechanceofalife.Theyareshownplayingwiththelittleboy,indulginghiswhims,whichincludeadeterminationtolearntosmokelikehisfather,andinsistingheposeforafamilyphotograph.Ashefacesthecamera,thechildsomehowrealisesthatthisisanominousmoment,andstartstocryandbegnottobesentaway.Idoubtanyonewhohaswatchedthescenewilleverforgetit.
Jung-EunKimhasworkedforDatelinesubsequentlyasafixer(employedtoestablishlocalnetworksforajournalistcominginfromAustralia)buthasneverwantedtoappearoncamera.“Sheisaverycourageouswoman,”saysCharley,whowastheproducerofthestory.“Shewasontenterhooksthroughout,goingtoenormouslengthstoconcealtheidentitiesoftheparticipants.”
Thisstoryisastarkreminderofhowhumandestinyislockedinbythedeterminingfactorsofbirthrightandhomeland.Refugeesfromwar,persecutionordisasterhavelosttherighttobeanywhere,andthoseunabletogetawaymustlivewithoutanysenseoffreedomorsecurity.Ajournalistwhofliesintocovertheirstoryisinastrangeposition,providingavitallineofconnectionouttotheworldatlarge,yetinsulatedfromtheirplightbyvirtueofaforeignpassport.Ifthingsbecomecritical,heorshecangetout;comehellorhighwater,theycannot.
Butareturningjournalistcarriesmemoriesandexperiencesthatmaycontinuetoreverberatelongafterthestoryhasgonetoair.Supportsystemshavebeensetuptoassistwiththetransitionbacktoanormalitythatmaynowseemalien.Counsellingisavailable,andaconfidentialhotline,butPeterCharleyspendsmanyhoursinprivateconversationwiththosewhoarebattlingwithongoingpsychologicalturbulencebroughtfromthetraumazone.
“WhenIwasatLateline,”hesays,“itwasoneofmyjobstolookatthevideosofbeheadingsthatwereoccurringduringtheIraqwar,toinstructtheeditorwheretostopthereplayforbroadcast.Editorsweresaying,‘Wecan’tdothis…We’renotsleeping…We’redrinkingtoomuch…We’renotcoping.’Wewerealldrawnintothishideoussituation,evenpeoplewhojustwalkedpastthedooraswewereworking.”
“Humankindcannotbearverymuchreality,”asT.S.Eliotsaid.Viewerswillreactvariouslytowhattheyareshown,butthedailynewsprovidesbriefencounterswithallmannerofhorrorsfromwhichmostofusareabletomaintainahighdegreeofpsychologicalinsulation.PartoftheDatelinebriefistopushtheboundariesofwhatweareaskedtobear;butalsotodrawtheline.Thereis,literallyandspecifically,apointatwhichtheexposuremaybestoppedintheeditingsuite.
Thethirtiethanniversaryofoneofourpremiercurrentaffairsprogramshighlightstheimportanceofthiskindofreportingasacomplement(andsometimesasacounterpoint)totherunningheadlinesofthenews.Reportingthatarisesfromlong-termengagementallowscitizensinonepartoftheworldtoenteratleastpartiallyintotherealityofthoseinanother.Indoingso,itpromotesasenseofresponsibilityforeventsandsituationsinthelargersphereofhumanexperience.
Inamediaenvironmentinwhichbudgetsandratings—evenforpublicbroadcasters—areincreasinglythedriversofprogrammingdecisions,thecommitmentsandresourcesrequiredforinternationalcurrentaffairscomeunderscrutiny.“There’saviewintheindustrythatthebite-sizedchunksarewhatthepublicwants,”saysLauraGrace. “ButnewsmanagementatSBShavecontinuedtobesupportiveofourapproach.”Datelinehasacorefollowingofviewerswhokeeptheratingsclosetothequartermillion,butmanymorepeopleareaccessingstoriesonlinewithoutthisbeingreflectedinthefigures.Sheseesacertainironyhere.“There’sapushforprogram-makerstodealwiththenewmedialandscapebutthetoolusedformeasuringthesuccesshasn’titselfbeenupdated.”
Theratings-firstapproachiscreatingatrendtowardspanel-baseddiscussionofnewsitems,withcelebrityparticipantsandpublictalkback.Knowledgestocksarefallingasthecurrencyinopinionrises.Howfardowewantthistrendtogo?Weriskbecomingaself-regardingculture,foreverminingourownproblemsinaprotectivenationalistbubble.OnesuspectedcaseofebolainQueenslandlastweekwasfeaturedasheadlinenews,whiletheWorldHealthOrganizationannouncementthatcasesinAfricahadpassedthe10,000markwentlargelyunreported.
Dateline’s